現代写真入門！ブックリスト（購入リンク＆ムサビ図書館在庫情報付き）

イギリスの Royal College of Art 写真コースのブックリストです。
ソースはこちら　http://www.rca.ac.uk/Docs/1Photography_09.pdf
購入できるリンク（アマゾン日本、アメリカ）と、ムサビ図書館にあるものには蔵書場所の情報もつけてみました◎
一部おかしいところがあるかもしれないです。ムサビ図書館の蔵書は貸出中かもしれないので、事前に確認してください。
http://library.musabi.ac.jp/webopac/


ムサビ写真コース１年生とか、ほんとに最初に読むのにはこれがいいかも◯
Steve Edwards Photography, A Very Short Introduction, OUP, 2006

なんといっても891円なのでお手頃。カメラ機材の歴史がメインで展開して行くのではなく、写真によって生まれる効果の話から始まって、写真という概念をいろんな角度から検討していく感じでわかりやすいです◎ただイギリス英語なので慣れるまで読みづらいかもしれません。


Parveen Adams Art - Sublimation or Symptom, Karnac, 2003

Parveen Adams The Emptiness of the Image, Routledge, 1996

Parveen Adams and E. Cowlie, eds. The Woman in Question, Verso, 1990

Jacques Aumont The Image, BFI, 1997

Roland Barthes Camera Lucida, Cape, 1980
The Responsibility of Forms, Blackwell, 1986

Geoffrey Batchen Burning with Desire: the Conception of Photography, MIT, 1997

David Bate Photography and Surrealism, I B Tauris, 2004

  • 本館 2階 エリア７ 1200401563 S702.07/Bat 貸出可

Walter Benjamin Illuminations, Fontana, 1973

One-Way Street, London, 1979
Yve-Alain Bois and Rosalind Krauss Formless: a User’s Guide, Zone, 1997

Richard Bolton, ed. The Contest of Meaning, MIT, 1989

Anne Borimir New Art in the 60s and 70s - Redefining Reality,Thames and Hudson, 2001

Brassaï Proust in the Power of Photography, Chicago, 2001

Francois Brunet Photography and Literature (Exposures), Reaktion, 2009

Bruno, Giuliana Atlas of Emotion- Journeys in Art, Architecture, and Film, Verso,London and New York, 2002

Susan Buck-Morss The Dialectics of Seeing, MIT, 1989

Victor Burgin Thinking Photography, MacMillan, 1981

Between, Blackwell, 1986
In Different Spaces, University of California Press, 1996

The Remembered Film, Reaktion Books, London 2004

The End of Art Theory, Humanities Press International, 1986

Eduardo Cadava Words of Light (thesis on the photography of history),Princeton, 1998

David Campany Photography and Cinema (Exposures), Reaktion, 2008

Beatriz Colomina, ed. Sexuality and Space, Princeton, 1992

Jonathan Crary Techniques of the Observer, MIT, 1984

Thomas Crow Modern Art in the Common Culture, Yale, 1996

Didi-Huberman, Georges and Goodman, John (Translator) Confronting Images:Questioning the Ends of a Certain History of Art, Pen State University Press,December 2004

Thierry de Duve Kant after Duchamp, MIT, 1996

Geoff Dyer The Ongoing Moment, Abacus 2006

Elizabeth Edwards Raw Histories; Photographs, Anthropology and Museums,Berg, 2001

Steve Edwards Photography, A Very Short Introduction, OUP, 2006

The Making of English Photography: Allegories, Penn State University Press,2006

Vilem Flusser Towards a Philosophy of Photography, Reaktion, 2000

Hal Foster The Return of the Real, MIT, 1996

Vision & Visuality, Bay Press and DIA Foundation, 1988

Jonathan Friday Aesthetics and Photography, Ashgate, 2002

David Green (ed) Where is the Photograph?, Photoworks, 2003
Stillness and Time, Photoworks, 2006

Martin Jay Downcast Eyes, Berkeley, 1994

Mary Kelly Imaging Desire, MIT, 1996

Peter Kennard Dispatches from an Unofficial War Artist, Lund Humphries, 2000

Sarah Kofman Camera Obscura of Ideology, Cornell University Press, 1998

Rosalind Krauss The Optical Unconscious, MIT, 1993; Bachelors, MIT, 1999

Julia Kristeva Desire in Language, Blackwell, 1980

Strangers to Ourselves, Columbia University Press, 1991

Histoires d’Amour, Columbia University Press, 1987
Darian Leader Freud’s Footnotes, Faber & Faber, 2000

Stealing the Mona Lisa, Faber and Faber, 2002

Martin Lister, ed. The Photographic Image in the Age of Digital Culture,Routledge, 1991

Yve Lomax Writing the Image, I B Tauris, 2000

Sounding the Event, IB Tauris, 2005

Carol Mavor Becoming, Duke, 1999

Nicholas Mirzoeff, ed. The Visual Culture Reader, Routledge, 1998

Laura Mulvey Fetishism and Curiosity, BFI, 1996;

Visual and Other Pleasures, Macmillan, 1989

Michael Newman Richard Prince Untitled (couple), Afterall Books, 2006

Linda Nochlin Realism and Tradition in Art 1848-1900, Prentice-Hall, 1966

The Politics of Vision, Thames and Hudson, 1991

Peter Osmond Conceptual Art, Phaidon, 2002

Craig Owens Beyond Recognition, University of California Press, 1992

Francette Pacteau The Symptom of Beauty, Reaktion, 1994

Tod Papageorge Walker Evans and Robert Frank: An Essay on Influence, Yale University Art Gallery, 1981

A.L. Rees A History of Experimental Film and Video, BFI, 1999

Olivier Richon Allegories, Salvo, 2000

Clive Scott The Spoken Image, Reaktion, 1999

Abigail Solomon Godeau Photography at the Dock, Minnesota, 1991

Susan Sontag On Photography, Penguin, 1977
Jo Spence Cultural Sniping, Routledge, 1995

Carol Squiers, ed. The Critical Image, Bay Press, 1990

John Tagg The Burden of Representation, MacMillan, 1988

Disciplinary Frame: Photographic Truths and the Capture of Meaning, University of Minnesota Press, 2009

Ian Walker City Gorged with Dreams; Surrealism and Documentary Photography in Interwar Paris, Manchester, 2002

Brian Wallis, ed. Art After Modernism, New Museum of Contemporary Art, 1984

Blasted Allegories, MIT, 1987

Slavoj Zizek Looking Awry, MIT, 1991.