ブックリスト

http://www.rca.ac.uk/Docs/1Photography_09.pdf

BOOKS
Parveen Adams Art - Sublimation or Symptom, Karnac, 2003
Parveen Adams The Emptiness of the Image, Routledge, 1996
Parveen Adams and E. Cowlie, eds. The Woman in Question, Verso, 1990
Jacques Aumont The Image, BFI, 1997
Roland Barthes Camera Lucida, Cape, 1980
The Responsibility of Forms, Blackwell, 1986
Geoffrey Batchen Burning with Desire: the Conception of Photography, MIT, 1997
David Bate Photography and Surrealism, I B Tauris, 2004
Walter Benjamin Illuminations, Fontana, 1973
One-Way Street, London, 1979
Yve-Alain Bois and Rosalind Krauss Formless: a User’s Guide, Zone, 1997
Richard Bolton, ed. The Contest of Meaning, MIT, 1989
Anne Borimir New Art in the 60s and 70s - Redefining Reality,
Thames and Hudson, 2001
Brassaï Proust in the Power of Photography, Chicago, 2001
Francois Brunet Photography and Literature (Exposures), Reaktion, 2009
Bruno, Giuliana Atlas of Emotion- Journeys in Art, Architecture, and Film, Verso,
London and New York, 2002
Susan Buck-Morss The Dialectics of Seeing, MIT, 1989
Victor Burgin Thinking Photography, MacMillan, 1981
Between, Blackwell, 1986
In Different Spaces, University of California Press, 1996
The Remembered Film, Reaktion Books, London 2004
The End of Art Theory, Humanities Press International, 1986
Eduardo Cadava Words of Light (thesis on the photography of history),
Princeton, 1998
David Campany Photography and Cinema (Exposures), Reaktion, 2008
Beatriz Colomina, ed. Sexuality and Space, Princeton, 1992
Jonathan Crary Techniques of the Observer, MIT, 1984
Thomas Crow Modern Art in the Common Culture, Yale, 1996
Didi-Huberman, Georges and Goodman, John (Translator) Confronting Images:
Questioning the Ends of a Certain History of Art, Pen State University Press,
December 2004
Thierry de Duve Kant after Duchamp, MIT, 1996
Geoff Dyer The Ongoing Moment, Abacus 2006
Elizabeth Edwards Raw Histories; Photographs, Anthropology and Museums,
Berg, 2001
Steve Edwards Photography, A Very Short Introduction, OUP, 2006
The Making of English Photography: Allegories, Penn State University Press,
2006
Vilem Flusser Towards a Philosophy of Photography, Reaktion, 2000
Hal Foster The Return of the Real, MIT, 1996
Vision & Visuality, Bay Press and DIA Foundation, 1988
Jonathan Friday Aesthetics and Photography, Ashgate, 2002
David Green (ed) Where is the Photograph?, Photoworks, 2003
Stillness and Time, Photoworks, 2006
Martin Jay Downcast Eyes, Berkeley, 1994
Mary Kelly Imaging Desire, MIT, 1996
Peter Kennard Dispatches from an Unofficial War Artist, Lund Humphries, 2000
Sarah Kofman Camera Obscura of Ideology, Cornell University Press, 1998
Rosalind Krauss The Optical Unconscious, MIT, 1993; Bachelors, MIT, 1999
Julia Kristeva Desire in Language, Blackwell, 1980
Strangers to Ourselves, Columbia University Press, 1991
Histoires d’Amour, Columbia University Press, 1987
Darian Leader Freud’s Footnotes, Faber & Faber, 2000
Stealing the Mona Lisa, Faber and Faber, 2002
Martin Lister, ed. The Photographic Image in the Age of Digital Culture,
Routledge, 1991
Yve Lomax Writing the Image, I B Tauris, 2000
Sounding the Event, IB Tauris, 2005
Carol Mavor Becoming, Duke, 1999
Nicholas Mirzoeff, ed. The Visual Culture Reader, Routledge, 1998
Laura Mulvey Fetishism and Curiosity, BFI, 1996;
Visual and Other Pleasures, Macmillan, 1989
Michael Newman Richard Prince Untitled (couple), Afterall Books, 2006
Linda Nochlin Realism and Tradition in Art 1848-1900, Prentice-Hall, 1966
The Politics of Vision, Thames and Hudson, 1991
Peter Osmond Conceptual Art, Phaidon, 2002
Craig Owens Beyond Recognition, University of California Press, 1992
Francette Pacteau The Symptom of Beauty, Reaktion, 1994
Tod Papageorge Walker Evans and Robert Frank: An Essay on Influence, Yale
University Art Gallery, 1981
A.L. Rees A History of Experimental Film and Video, BFI, 1999
Olivier Richon Allegories, Salvo, 2000
Clive Scott The Spoken Image, Reaktion, 1999
Abigail Solomon Godeau Photography at the Dock, Minnesota, 1991
Susan Sontag On Photography, Penguin, 1977
Jo Spence Cultural Sniping, Routledge, 1995
Carol Squiers, ed. The Critical Image, Bay Press, 1990
John Tagg The Burden of Representation, MacMillan, 1988
Disciplinary Frame: Photographic Truths and the Capture of Meaning, University
of Minnesota Press, 2009
Ian Walker City Gorged with Dreams; Surrealism and Documentary Photography in
Interwar Paris, Manchester, 2002
Brian Wallis, ed. Art After Modernism, New Museum of Contemporary Art, 1984
Blasted Allegories, MIT, 1987
Slavoj Zizek Looking Awry, MIT, 1991.